Parish Newsletter – 16th Jan 2011


Second Sunday in Ordinary Time – 16th January, 2011

Fr. John Fitzgerald P.P. Tel Nos. Millstreet  029-70043  / Mobile 087-7752948

Email:  <email>


MONDAY-TUESDAY- WEDNESDAY-FRIDAY 10.00a.m.-1.00p.m. & 2.00p.m.-5.00p.m.

Your prayers are requested for the repose of the souls of the following and for those whose anniversaries occur around this time, and for those for whom masses will be offered during the week:

Mass Intentions this Week-end:

Saturday 15th January:

Millstreet Vigil 6.30 p.m.                  Kate & Bertie Kelleher, Murphy’s Terrace  

[read more …] “Parish Newsletter – 16th Jan 2011”

Johannah Buckley – genealogy

I am seeking any information on a Johannah Buckley, born at Dooneen Cross, Millstreet, to Con Buckley and Johanna Murphy in 1856. She had three brothers and four sisters.  I believe they were farmers and that Johanna’s brother Con, continued on the family farm.  Johanna emigrated to New Zealand in 1879 and married James Goggin (son of Patrick Goggin and Kate Kelleher, Gurtnapeasta, Clondrohid, Macroom). I know it is a bit of a long shot considering how long ago it was but any information would be most appreciated. One day I hope I can visit with my family. Megan  (email)

An Caoineadh Airt Uí Laoghaire

Nóra Ní Shíndile was a native of Millstreet, and a professional keener (“bean caoinadh”) in the late 1790’s/early 1800’s. It is thanks to her that the poem Caoineadh Airt Uí Laoghaire survives today. About 1800, the scribe and poet, Éamonn de Bhál, transcribed Caoineadh Airt Uí Laoghaire from her rendering, thus preserving the full version of the caoineadh for posterity.

Tomb of Art O’Leary in Kilcrea Friary, Ovens.

Caoineadh Airt Uí Laoghaire is one of the greatest love poems of the Irish Language. Eibhlín Dubh Ní Chonaill composed it capturing the life and death of her husband Art on May 4, 1773 in Carriganima.

The Irish tradition of keening over the body at the burial is distinct from the wake (the practice of watching over the corpse – which took place the night before the burial). The “keen” itself is thought to have been constituted of stock poetic elements (the listing of the genealogy of the deceased, praise for the deceased, emphasis on the woeful condition of those left behind etc) set to vocal lament. While generally carried out by one or several women, a chorus may have been intoned by all present. Physical movements involving rocking, kneeling or clapping accompanied the keening woman (“bean caoinadh”) who was often paid for her services. [read more …] “An Caoineadh Airt Uí Laoghaire”